Spanish Life; a quick guide
Spanish
Cuisine
The Spanish Cuisine is made of very different kinds of
dishes due to the differences in geography, culture and
climate. It is heavily influenced by the variety of seafood
available from the waters that surround the country. As
Spain has had a long and vast history and had many
different cultural influences, the richness and variety of
its cuisine is overwhelming, but all these ingredients have
made up a unique and differentiated Spanish cuisine with
thousands of recipes and flavours.
The international influences are nowhere more obvious than
in Barcelona. Next door to a shop selling ready made
falafels is an Asian food restaurant, which is next to a
tradicional tapas bar, and on and on in amazing variety.
Daily meals eaten by the Spanish are still very often made
traditionally, by hand from fresh ingredients bought daily
from the local market. This is more common in the rural
areas and is of course much less common in the large urban
areas like Madrid, where supermarkets are beginning to
displace the open air markets. Even in Madrid food can be
bought from the local shops, bread from the paneria, meat
from the carniceria, etc.
One very interesting custom when going out is to take tapas
with your drink (beer, wine, coke…). In some places like
Granada tapas are given for free with your drink and have
become very famous for that reason.
Salvador Dali
Salvador Dalí was born on May 11, 1904, at number 20
Monturiolin street in the town of Figueres, Catalonia,
Spain. Salvador Dali was the son of Salvador Dalí i Cusí.
He attended Municipal Drawing School, where he first
received formal art training. In 1916 Salvador Dalí
discovered modern painting on a summer vacation to Cadaques
with the family of Ramon Pichot, a local artist who made
regular trips to Paris.
The next year Dalí’s father organized an exhibition of his
charcoal drawings in their family home. He had his first
public exhibition at the Municipal Theater in Figueres in
1919. In 1921 his mother died of cancer, and his father
married his aunt, which the younger Salvador somewhat
resented. In 1922 Dalí moved to Madrid, where he studied at
the Academy of Arts (Academia de San Fernando). Dalí
already drew attention as an eccentric, wearing long hair
and sideburns, coat, stockings and knee britches in the
fashion style of a century earlier. What got him the most
attention from his fellow students were his paintings where
he experimented with Cubism (even though in these earliest
Cubist works he arguably did not completely understand the
movement, for his only information on Cubist art came from
a few magazine articles and a catalogue given to him by
Pichot, since there were no Cubist artists in Madrid at the
time).
Dalí also experimented with Dadaism, which arguably
influnced his work throughout his life. He became close
friends with poet Federico García Lorca and with Luis
Buñuel at this time; he would later become Lorca’s lover.
Dalí was expelled from the Academy in 1926 shortly before
his final exams when he stated that no one on the faculty
was competent enough to examine him. That same year he made
his first visit to Paris, where he met with Pablo Picasso,
whom young Dalí revered; the older artist had already heard
favorable things about Dalí from Joan Miró. Dalí did a
number of works heavily influenced by Picasso and Miró for
the next few years, as he groped towards developing his own
style. Some trends in Dalí’s work that would continue
throughout his life were already evident in the 1920s,
however: Dalí omnivorously devoured influences of all
styles of art he could find and then produced works ranging
from the most academic classicism to the most cutting edge
avante garde, sometimes in separate works, and sometimes
combined. Exhibitions of his works in Barcelona attracted
much attention, and mixtures of praise and puzzled debate
from critics.
1929 was an important year for Dalí. He collaborated with
Spanish filmmaker Luis Buñuel on the short film Un Chien
Andalou and met his muse and future wife, Gala Eluard, born
Helena Deluvina Diakinoff, a Russian immigrant eleven years
his senior who was then married to the surrealist poet Paul
Eluard. In the same year, Dalí had important professional
exhibitions and officially joined the Surrealist group in
the Montparnasse quarter of Paris (although his work had
already been heavily influenced by Surrealism for 2 years).
In 1934 Dalí and Gala, having lived together since 1929,
were married in a civil ceremony.
Upon Franco’s coming to power in the aftermath of the
Spanish Civil War, Dalí came into conflict with his fellow
Surrealists over political beliefs. Dalí was a strong
supporter the fascist coup by Franco. He applauded the
repression of the new regime, congratulating Franco for his
actions aimed “at clearing Spain of destructive forces".
Dalí sent telegrams to Franco, praising him for signing
death warrants for political prisoners. As such Dali was
officially expelled from the predominantly Marxist
Surrealist group. Dalí response to his expulsion was
“Surrealism is me.” Breton coined the anagram “Avida
Dollars,” by which he referred to the Dalí after the period
of his expulsion; the Surrealists henceforth would speak of
Dalí in the past tense, as if he were dead. The surrealist
movement and various members (such as Ted Joans) thereof
would continue to issue extremely harsh polemics against
Dalí until the time of his death and beyond.
As war started in Europe, Dalí and Gala moved to the United
States in 1940, where they lived for eight years. In 1942
he published his entertaining autobiography, The Secret
Life of Salvador Dalí. He spent his remaining years back in
his beloved Catalonia. The fact that he chose to live in
Spain while it was ruled by Franco drew criticism from
progressives and many other artists. Some think that the
common dismissal of Dalí’s later works has more to do with
politics than the actual merits of the works themselves.
In 1958, Dalí and Gala were re-married in a Roman Catholic
ceremony. Gala died on June 10, 1982. In Dalí’s later
years, young artists like Andy Warhol proclaimed Dalí an
important influence on pop art. In 1960 Dalí began work on
the Teatro-Museo Gala Salvador Dalí in his home town of
Figueres; it was his largest single project and the main
focus of his energy through 1974. He continued to make
additions through the mid 1980s. After Gala’s death in
1982, Dalí lost much of his will to live. He deliberately
dehydrated himself–possibly as a suicide attempt, possibly
in an attempt to put himself into a state of suspended
animation, as he had read that some microscopic animals
could do.
He moved from Figueres to the castle in Pubol which he had
bought for Gala and was the site of her death. In 1984 a
fire broke out in his bedroom under unclear
circumstances–possibly a suicide attempt by Dalí, possibly
a murder attempt by a greedy caretaker, possibly simple
negligence by his staff– but in any case Dalí was rescued
and returned to Figueres where a group of his friends,
patrons, and fellow artists saw to it that he was
comfortable living in his Theater-Museum for his final
years. Salvador Dalí died of heart failure on January 23,
1989 at Figueres, Catalonia, Spain. He is buried in the
crypt of his Teatro Museo in Figueres.
Pablo
Picasso
Pablo
Picasso was born in Malaga, Spain and he is probably the
most famous as the founder, along with Georges Braque, of
Cubism. However he produced a wide and varied body of work,
the best-known being the Blue Period works which feature
moving depictions of acrobats, harlequins, prostitutes,
beggars and artists.
While Picasso was more a painter, as he believed that an
artist must paint in order to be considered a true artist,
he also worked with small ceramic and bronze sculptures,
collage and even produced some poetry. “Je suis aussi un
poete,” as he quipped to his friends.
Picasso hated to be alone when he wasn’t working. In Paris,
in addition to having a distinguished coterie of friends in
the Montmartre and Montparnasse Quarters, including Andre
Breton, Guillaume Apollinaire, writer Gertrude Stein and
others, he usually maintained a number of mistresses in
addition to his wife or primary partner.
Picasso’s most famous work is probably his depiction of the
German bombing of Guernica, Spain. This large canvas
embodies for many the inhumanity, brutality and
hopelessness of war. The painting of the picture was
captured in a series of photographs by Picasso’s most
famous lover, Dora Maar, a distinguished artist in her own
right. A Nazi officer is supposed to have come to his door
brandishing a postcard and demanding, “Did you do this?”
“No,” Picasso is supposed to have replied, “you did.” The
Guernica hung in New York’s Museum of Modern Art for many
years, and is now in Madrid – Picasso stipulated that the
painting should not return to Spain until democracy was
restored in that country.
As certain works, for example the Cubist pieces, tend to be
associated in the public mind with Picasso, it is important
to realize how talented Picasso was as a painter and
draughtsman. He was capable of working with oils,
watercolours, pastels, charcoal, pencil, ink, or indeed any
medium with equally high facility. With his most extreme
cubist works he came close to deconstructing a complex
scene into just a few geometric shapes while at the same
time being capable of photo-realistic pen and ink sketches
of his friends. Picasso had a massive talent for almost any
artistic endeavor he turned his mind to, despite limited
formal academic training (he finished only one year of his
course of study at the Royal Academy in Madrid), and a
ferocious work-ethic.
Bullfighting
Bull fighting or in Spanish tauromaquia, is a spectacle
whose variations are popular in Spain, Portugal, some
countries in Latin America, and in the south of France.
Bullfighting goes back to ancient Rome, when many
people-killing-animal events were held as a warm-up for
gladiatorial sports. The event’s earliest roots are most
probably religious.
The Spanish version of the event, called a corrida de
toros, begins with a procession accompanied by band music.
Next, the bull enters the ring, to be tested for ferocity
by the matador (toreador or torero) and banderilleros with
pink and gold capes. After a period of time, picadores on
blinkered horses go past the bull and put lances into the
bull’s neck, further enraging and weakening the bull, and,
crucially, weakening its neck muscles. The audience often
objects to excessive use of the lance to tire the bull too
much.
Next is a suerte de banderillas, in which three
banderilleros goad the bull so they can stab the bull’s
shoulders with coloured, sharpened sticks. Finally, in the
suerte de matar (death act), the matador reenters the ring
alone with a small red cape. Having dedicated the bull to
an individual or the whole audience, he uses his cape to
attract the bull in a series of passes, demonstrating his
control over it. He then attempts to manoeuvre the bull
into a position to stab it between the shoulders and
through the heart. This often fails, and the toreador must
cut the bull’s spinal cord with a second sword, killing it
instantly. Very occasionally, a particularly resilient bull
will be spared.
A typical bullfight will involve three matadors fighting
two bulls each though, occasionally, a mano-a-mano
confronts two matadors fighting three bulls each. Trophies
and prizes (usually a bull’s ear, or both ears, or both
ears and the tail) are awarded to matadors, mostly
according to the reaction of the crowd to the fight. The
Portuguese version is conducted on horseback and does not
involve injuring the bull.
The aesthetic of bullfighting, which is regarded as a
deeply ingrained part of the culture and an art in the
countries where it is practiced, is based on the
interaction of the man and the bull. Rather than a
competitive sport, the bullfight is more of a ritual which
is judged by its aficionados based on artistic impression
and command. Animal rights campaigners object strongly to
bullfighting on account to the slow, painful death the bull
suffers, and kill bullfights are banned in most countries.
“Bloodless” variations, though, are permitted and have
attracted a following in California. A number of
animal-rights activist groups undertake anti-bullfighting
actions in Spain and other countries (see links).
However, these views are not widely understood in the
countries where Spanish bullfighting is practiced; the
argument is that bulls are bred for the ring, live well
before they are killed, and if the bullfight went, the
bulls would too. Furthermore, part of the artistic
impression of a corrida is based on the “cleanliness” of
the kill; prolonged suffering is regarded as part of a very
poor performance, and experienced bullfighters are able to
avoid it.
Spanish bullfighting is a traditionally male sport. Only
recently have a very small number of women ever been
toreadores, such as Cristina Sánchez. Many bullfighters
have met their deaths on the horns of a bull, including one
of the most celebrated of all time, Manolete. Especially
prominent bullrings are to be found at Madrid, Sevilla, and
Mexico City.
Time
in Spanish Culture
Punctuality is practiced in the north of Spain especially
in the industrialized regions. The south of the country, in
comparison, is not as regimented by time and they tend to
adopt an attitude which may be perceived as “lax". The
people in the south of Spain do not perceive time as a
crucial element, which may be reflected in delays in
meetings or a lack of distinct time schedules. These two
regions value time differently and business in the south
may not be deemed to be as reliable.
Many business people may not arrive to the office until
11am. They may take the ‘siesta’ but do not leave their
desks until 8-9p.m at night. With Spain under pressure to
adjust to richer neighbors’ timetables, the ritual
three-hour break for lunch and a nap is disappearing. In
private business, breaks longer than an hour are becoming
rare as Europe’s single currency, the euro, draws Spanish
companies, stock traders and multinationals onto similar
schedules with clients across the continent
The ‘siesta’ has been hindered due to the fact the
traditional housewife role of women has changed and they
are now a valuable part of the workforce. There no one at
home making the traditional hot meal for mid-day. In Spain,
siesta is not a time to sleep but a time to eat, talk and
relax. This is in line with the fact that they are a high
context culture and value family and relationships. Shops
and businesses are usually opened from 9 or 9:30 am to 1:30
pm and from 4:30 or 5 pm to 8 or 8:30 pm, though it has
become more and more common for businesses to stay open
through the traditional ’siesta’ hours. Business
establishments are usually closed for a day-and-a-half per
week, most often Saturday afternoon and Sunday, although
many shops will close only on Sunday.
Sherry
Sherry is a fortified wine originally produced in the Jerez
de la frontera region of Spain. The name Sherry resulted
from a mispronunciation of Jerez in English. Spanish
producers have registered the names Jerez / Xerés / Sherry
and will prosecute producers of similar wines from other
places using the same name. However the name Sherry is used
as a semi-generic in the United States where it must be
labeled with a region of origin such as American Sherry or
California Sherry.
Three types of grapes may be used in Spain for making
sherry: Palomino, Pedro Ximenez, and Muscat (Moscatel).
Sherry made in other countries often uses other grape
varieties. Sherry differs from other wines because of how
it is treated after fermentation. It is first fortified
with spirits and then if destined to be fino style a yeast
called flor is allowed to grow on top. Oloroso style is
fortified to a strength where the flor cannot grow.
Sherry is then aged in the solera system where new wine is
put into wine barrels at the top of a series of 4 to 9
barrels. Each year half of the wine in a barrel is moved
into the next barrel down. At the end of the series only
half the barrel is bottled and sold. So the youngest wine
going into the bottle is as old as the number of barrels in
the series and every bottle also contains some much older
wine.
Paella
Paella
(meaning frying pan, pronounced “pah-eh-yah") is a typical
dish of Valencia, Spain, where it is eaten especially on
Sundays. There are of course many variations of it with
different ingredients.
Ingredients
(for 4 people)
500g
chicken
500g rabbit or Calamari
480g rice
350g paella vegetables (big haricot beans “garrofó", small
haricot beans “tavella", green beans “bajoqueta (de
ferradura)"/"judías verdes", red peppers and green peppers
optional)
24 snails (optional)
120g tomatoes
1.5 litres of water
Olive oil, salt, paprika ("pebre roig"/"pimentón dulce"),
saffron, rosemary.
Preparation
Clean well the snails, the chicken and the rabbit. Cut the
chicken and the rabbit in small pieces. Put olive oil in a
paella pan, and when hot, stir-fry the chicken and the
rabbit pieces. When that is all sofregit, add the tomato
and stir-fry til well sofregit, then the vegetables and
stir-fry til they reduce. Add a little bit of paprika and,
preventing it from being burnt, then add the water, as
described next.
Optionally, in another container, water must have boiled
alone for half an hour. You can also pour cold water
directly, but the important thing is that the water is
calcarean, as it is in Valencia. After that, throw the
(boiling) water to the paella (double volume than the rice,
use a cup for measuring). Add the saffron and salt to
taste, and at last add the snails. Let lively boil for
around 10 minutes. Correct the evaporated water during
these minutes by adding a little more water. Then add the
rice and stir. The rice must hard cook to slow fire 10
minutes and 10 minutes to slower fire. Set the fire off,
put some small branches of rosemary over the rising rice,
and let the rice soak the remaining liquid in. Remove from
fire and cover with some newspaper sheets for about 10
minutes. Once the rice gets dry the paella is ready to be
served.
Some lemon juice may be poured over the paella. The magic
words “bon profit” must be said. Paella dish is usually
eaten on the very paella with a spoon. As a local rule
says, no bread must be eaten if the paella is to be
finished.
Flamenco
Flamenco is about two hundred years old and it is known
worldwide as a Spanish folklore music. The four basic types
of flamenco are: the “tonas” which are the oldest, the
“soleá", the dramatic “seguiriya", and the “tangos".
Flamenco since its origins has been deeply rooted in the
talent and experiences of the gypsies from all over
Andalucia mainly, and to a lesser extent from other areas
of the Iberian peninsula. The lyrics of flamenco treat any
imaginable theme, from up to date stories, to politics, to
love, to history, to humor, and so on.
Flamenco music comes from the soul, there are many
varieties of flamenco, from the cante jondo (the Deep Song)
to bulerias (thirty different varieties in all). Some of
those can tear your soul to shreds; others can bring you
ecstatic ebullience. The ideal in flamenco is called
“duende” (demon or elf), this refers to a state of
emotional involvement, of group communication at a deeper
level and a feeling of sympathy, between musicians, dancers
and listeners.
The most common dance and cante of the eight Andalusian
provinces is the sevillanas. They can be easily heard and
watched during the Feria de Abril de Sevilla and the
Romería of the Virgin of the Rocío. In their origin the
sevillanas counted with only one part, until the Reyes
brothers, a group of sevillanas from Castilleja de la
Cuesta, “invented” the sevillana as we know it today with
four parts quite differentiated with its distinct steps
dance in couples. From that moment on, the sevillanas took
on a character of their own which is renewed each year
around April, when the new trends of compositions appear
setting the pace for that year.
There are different types of sevillanas: the classical,
“rocieras", “corraleras", and more; each depending of the
geographical zone and the peculiar style of the
interpreter. An important feature of this from of art can
be appreciated in the Carlos Saura’s film “Sevillanas". In
the film, sevillanas are studied for their different types
of cante, dance, and “touch".
Her
Majesty the Queen
Dona SOFIA DE GRECIA Y HANNOVER was born in Athens on
November 2nd, 1938. She was first born daugther of the King
and Queen of Greece, Paul I and Federika. Her majesty’
family belongs to one of the oldest Royal Houses in Europe
and is related to the Czars of Russia, the German Emperors
and Queen Victoria of Great Britain.
Her Majesty spent part of her childhood in Egypt and South
Africa, as her family was obliged to go into exile during
the Second World War. She returned to her country in 1946,
completed her education at the prestigious German boarding
school of Schloss Salem, and, having returned to Athens,
specialized in paediatrics, music and archaelogy. She took
part as a reserve for the Greek sailing team in the 1960
Olympic Games in Rome.
On May 14th 1962 she married Prince Juan Carlos de Borbon y
Borbon, and in subsequent years her three children were
born: Infanta Elena on December 20th, 1963, Infanta
Cristina on June 13th, 1965, and Prince Felipe on January
30th, 1968.
In addition to taking part in institutional events, the
Queen devotes a great deal of attention to social and
charity activities. She is the executive president of the
Queen Sofia Foundation, and honorary president of the Royal
Board on Education and Care of Handicapped Persons, and the
Foundation for Aid for Drug Addicts.
Costa
Blanca - Javea
Javea
on the Costablanca is a small, historic town , it is free
of high rise buildings.
Javea with its variety of
landscape, ranging from sandy coastlines to rugged mountain
areas, the mild year-round climate, and its careful
property planning policies, is a jewel on the Costa Blanca,
combining beauty and modern facilities with the charm of an
ancient fishing village.
Javea is situated between the San Antonio and La Nao capes,
enjoying the impressive and magnificent protection of the
Mount Montgó. Dominating the fishing port is the modern
silhouette of the church of Nestra Senora de Loreto.
Outside the town, following the road to the San Antonio
cape, the architectural sites include the monastery of
Nuestra Senora de los Angeles, a series of small hermitages
clutching the slopes of the mountain and some ancient
windmills.
Javea old town is steeped in history, with tosca stone
porticoes, gothic bay windows, wrought iron window bars and
balcony railings. The church of San Bartolemé in the town
centre is an example of late gothic with a defensive
character. The “Soler Blasco” Archaeological Museum is
close by in the narrow streets and offers a wealth of
information about the Iberian history. Nearby you can find
the covered indoor market selling all sorts of household
goods and fresh fish brought up from the Port daily.
Valencia
- Fiesta and Folklore
The city
of Valencia is best known for its rollicking festivals and
especially for its spectacular fireworks, which have
developed here to an art of its own. In Valencia people
spend a whole year building a pyrotechnical work of art
which then will burn down in one single night. This shows
the character of the population, who really enjoy the
moment and celebrate each festival as if it were the last
one.
The most important of the festivals in Valencia is
certainly the Fallas de San José, a celebration of the
beginning of springtime. In all the town one will see
impressive cardboard constructions which will be burned on
the last day of the festival (19th March).
For Feria de Julio (in July) all Valencia is decorated with
a sea of flowers. Again there are dancing parties,
fireworks and some of the most important bullfights of
Spain. At October, 9th, the Day of Comunidad Valenciana,
there are commemorations of the reconquest of the town from
the Moors.
Another typical festival is the “Fiesta de la Mocaorá", an
event in particular beloved by gourmets: specially for it
are prepared those traditional specialities of marzipan,
Piuletes and Tronadors.
Calpe
- Costa Blanca
Calpe is a place where famous writers such as Hemingway
spent their summers in the thirties. Now, after more than
seventy years, Calpe’s attractions makes the village an
attractive spain real estate destination for home owners
from all walks of life. You can experience the best views
of the Costa Blanca from an enormous rock in Calpe known as
the Peñón de Ifach rock. The summit of this limestone,
recorded as the highest rock in the entire Mediterranean at
332 metres high, can be visited in organised groups.
The area surrounding the Peñón has many archaeological and
historical qualities. Prehistoric, Iberian, Phoenician and
Roman remains are reported to have been discovered here and
on the piece of land which links it to the coast. At the
foot of the Peñón is the site of a Roman ‘factory’ for the
drying and salting of fish and is known as the ‘Baños de la
Reina’, which translates ‘The Queen’s Baths’.
There are 11 kilometres of sandy beaches, such as the
Levante and Arenal beaches, and coves like the one at La
Manzanera where there are three buildings designed by
Ricardo Bofill, and the Les Urques cove where scuba diving
and fishing are possible.
Culture
in Alicante Costa Blanca
Alicante,
the main centre on the Costa Blanca, is a university city,
with various faculties and a series of technical colleges.
During the summer time a variety of Spanish courses for
foreigners are held.
The City of Alicante offers an interesting range of
cultural activities. Those activities taking place in
various centres around town; for example at the Casa de la
Cultura (cultural centre), which has also a well-stocked
library and a historical archive. These facilites keep
locals and visitors abreast of cultural movements by
staging expositions, conferences and films.
A number of financial entities also have their own Cultural
Centres, offering a diverse programme throughout the year.
The Teatro Principal, a neo-classical building of the
middle 19th century, offers an extensive programme a the
exhibition centre Lonja del Pescado. In the month of
September the National Theatre Meeting “Alicante a Escena”
is held, along with the International Contemporary Music
Festival. In December there is an International Puppet
Festival.
much
more to follow ---